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El vine din Bronx și, împreună cu prietenii săi de atelier, au făcut din graffitti un stil de viață autentic de acțiune și creație. Totul a început când după ce și-a pus pseudonimul pe un zid din cartier, apoi au desenat la metrou, și apoi totul a fost noroc și voință.

Poate fi oriunde în lume. Este vorba de pasiune. T-Kid își spune povestea. And in the Bronx of the 70s, there were a lot of problems and gangs. When I was a ekunji sfaturi în greutate, I did acrobatics on the playground swings downstairs from my house and I won a battle against another kid. One day, I tagged King 13 on a wall across from the playground.

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It was and I was I kept the name a while. Then, I quit the gang. I wrote Sen in Spanish Harlem. And with Sly of the Savage Sumari, we were going to have good vandal sessions.

I stayed with the Renegades for two years and inI was shot. I loved graffiti so I took the name T-Kid to start over. Kid was because I was usually the youngest in the gang.

So T-Kid and for the street I lived on. Graffiti meant I could leave the street. I liked to go to the tunnels to paint.

I got good quick. I did tons of burners under a bunch of names: Dr. Bad, Wake5, Bro2, but T-Kid is what people remember. I stopped for a year until I noticed graffiti was starting to show up in galleries. That caught my attention. Everyone was there, it was crazy! It was the first ghost fat burner graffiti collection and it was comprehensive. After that, I participated in a ghost fat burner called No More Trains, working with young kids arrested for painting subway trains.

I had them do what you call Positive community work. I was paid by Krylon and some big companies to clean the gates in the 14th street area.

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I was also doing paid walls at the time. I did that for a while but graffiti pulled me back in and I went back to the depots to paint subways. I started bleeding them again, from 82 to You can find all of that on the Internet and in my film.

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He followed my work by taking pictures of it and some people in England saw it, especially the graffiti I did for my dad after his heart attack. They asked me to come to London to paint a wall for a brand of audio cassettes TDK and that exposed me to Europe.

Ever since then, I go back whenever I can smile. And, in terms of graffiti, was there any competition with other neighbourhoods? All the time! Graffiti is an art that touches everyone.

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Whenever I did a T-Kid on a subway train in a Ghost Yard [legendary graffiti location, a subway depot], you never knew where it was going: Queens, Manhattan, etc. Whenever a Sonic rolled into the Bronx, it really busted my balls so I would go back. You can create characters, different letters, but graffiti is still all about tagging your name on one of the trains. It has to move. Your name needs to circulate from one point to another.

Everyone was into it: Dondi, Lee … yep Lee was the best, forget it! Everyone talked about Dondi. He was good, but, he really exploded after Martha Cooper took a bunch of pictures of him. One of the best is definitely Lee. The Fabulous Five Lee! Not Fab Five Freddy!

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There you go! Nobody knew what he was writing. He was really discrete. They say it was a Wild Style.

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Actually, I remember when Zephyr asked me to join his crew. That was Tracy! Aahhhh, a burner is a style. It radiates! A whole car is when you paint a whole subway car from top to bottom and front to back. There are different types of ghost fat burner down, such as end to end, from front to back.

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You can also do a one panel above which you can put a throw-up or tag it. Do the older generations teach graffiti to the younger generations? He taught me to paint. He was inspired by Tracy, but mostly by Phase2, the godfather ghost fat burner graffiti who invented all the styles bubble, mechanical.

Padre Dos is a fingers de slăbire of that guy. He learned by watching him. Padre explained how to draw the letters, where to put the arrows, and especially how to combine them all. He saw something in me. He especially taught me to spray, the composition and market value of graffiti. They were my teachers. Padre was my mentor.

The sprays. That was your first painting tool? Markers were my first tools. Pilot, Uni, Mini, Uni wide, then I used sprays. Ghost fat burner my favourites were Red Devil… the cream of the crop, really good.

You had to have a layer of white first. There was Rustoleum. It was easy to find and they worked good with Gefen fat caps [tampered ends for wide tracing, then different sizes were made available and sold]. When you talk about subways, you get very emotional! It was crowded and people ghost fat burner.

I swear! On another subject, how did you find yourself at ghost fat burner Villiers-le-Bel workshops in the 95 department? I was painting on the palisades at Châtelet and a teacher went by with her class.

The kids wanted to paint and I gave them a few pointers. When the teacher ghost fat burner fat burner this, she asked me to come and show her class. Kids just love graffiti and street art. If you stay, things can go wrong.

We always had a camera when we were going to paint. We just filmed it all! You have a special relationship with France… I love France! And in the 90s, I met the Mac crew: Kongo, Colorz, and the others. They invited me to Paris for the Kosmopolite festival, then I met Fafi and the crew from Toulouse as well. France is my second home.

How did you meet? We met at Gare express through a common friend, Yann Lazoo. I saw how talented he was. Boabe de orez pentru slabit opened his door wide and we became friends. And he introduced me to the Posca staff, which is really very cool since not easy to find in New York.

I love using them on canvas or trains [3D cars on which he paints and that will be exhibited at Next Street Gallery]. How did that happen? I published a book in and at a signing in California, I met a guy named Carly from Love Machine films, a production company. He interviewed me and since it went so well, we said why not make a movie together?